F#maj7 uses the notes F#, A#, C#, F. This left-handed chord chart puts the shape in your playing orientation. Tune to Standard before trying these shapes; the string labels on each chart show the tuning used.
Three playable chord shapes
All three charts use Standard tuning. Compare the named shapes and their fret positions, then choose the one that fits your chord change. The shapes shown are alternatives, not a progression.
Tuning, lowest to highest: E – A – D – G – B – E. Chord names describe the notes that sound in this tuning.
Shape 1
Emaj7 shape · fret 2
Shape 2
Dmaj7 shape · fret 4
Shape 3
Amaj7 shape · fret 9
What you are playing
Chord notes: F#, A#, C#, F. Standard tablature stays unchanged, so you can use the same note order as any mainstream lesson or transcription.
The diagram labels use sharp note names. Equivalent names such as D# and Eb identify the same fret; a theory book may use the flat spelling for the same pitch.
Practise it for ten minutes
Form the shape without strumming, check each intended string, then release and rebuild it five times before practising slow four-beat changes.
- Shape Type: This shape behaves like a movable barre-style grip centered around fret 2, so focus on even pressure before trying to change chords quickly.
- String Check: Fret E (string 1) at fret 2, B (string 2) at fret 2, G (string 3) at fret 3, D (string 4) at fret 3, A (string 5) at fret 4 and E (string 6) at fret 2.
- Grip Control: Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force.
- Next Scale: The quickest lead connection from this chord is F# Major. Start there if you want the page to turn into a chord-to-scale practice loop.